
Bond is surrounded by jungle, rice fields and river in Mas Village. Kian continues to secure the land around it, protecting mature trees and preserving the quiet, private landscape that gives the house much of its energy and sense of seclusion.
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Bond Bali was created by Kian Nock as a place where people could gather without losing privacy or their own rhythm. Working with architect Alexis Dornier, he translated that idea into a five bedroom house organised through intersecting planes, with a 16 metre infinity pool forming the central axis between two distinct living spaces. Hidden among jungle, rice fields and river in Mas Village, Bond unfolds through architecture, water, music, light and landscape. Completed in 2020, it feels less like a conventional villa than a private world designed for connection, creativity and complete freedom.
Mas Village, south of Ubud, between rice fields, river and private jungle.
Purpose built in 2020 as a private home for gathering and retreat.
An exclusive use five bedroom villa accommodating up to ten guests.
Private groups, creative retreats, design lovers and intimate celebrations.
Immersive, secluded and quietly theatrical, shaped by jungle, water, sound and light.
A private home, your own chef and access to Kian’s creative circle.
Bond is rented only as a complete private home, with five bedrooms designed deliberately as equals. Each follows the same quiet material language, with a king bed, floating furniture, natural tones and floor to ceiling glazing that draws the jungle into the room. Large decks create space to sit outside, while every ensuite bathroom includes a freestanding bath and separate shower. The equality between rooms matters at Bond. Ten guests can stay together without anyone feeling they have been given the lesser bedroom.
Bond is available only for exclusive use, giving one group complete privacy across all five bedrooms, two living spaces, the pool, rooftop, gardens and private spa.
View all rooms and ratesBond is rented only as a complete private home, with five bedrooms designed deliberately as equals. Each follows the same quiet material language, with a king bed, floating furniture, natural tones and floor to ceiling glazing that draws the jungle into the room. Large decks create space to sit outside, while every ensuite bathroom includes a freestanding bath and separate shower. The equality between rooms matters at Bond. Ten guests can stay together without anyone feeling they have been given the lesser bedroom.
Bond is available only for exclusive use, giving one group complete privacy across all five bedrooms, two living spaces, the pool, rooftop, gardens and private spa.
View all rooms and rates5 rooms
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Children welcome
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Dining at Bond follows the rhythm of the house rather than a restaurant timetable. The private chef learns how each group likes to eat, then prepares everything around their tastes, dietary needs and plans for the day using fresh local ingredients. Meals can be relaxed beside the pool, shared around the sculptural dining table or turned into a longer celebration without ever leaving the privacy of the house.
Dining at Bond follows the rhythm of the house rather than a restaurant timetable. The private chef learns how each group likes to eat, then prepares everything around their tastes, dietary needs and plans for the day using fresh local ingredients. Meals can be relaxed beside the pool, shared around the sculptural dining table or turned into a longer celebration without ever leaving the privacy of the house.
Private chef, served throughout the house

The chef sources ingredients locally and prepares each meal in Bond’s open kitchen, adapting the menu and timing to the group. Breakfast can unfold slowly, lunch can remain beside the pool and dinner can become the evening’s main gathering. Guests can watch the cooking, join in or simply arrive when the table is ready. It feels less like hotel dining than being looked after in your own extraordinary home.
Bespoke menus created around each group’s tastes and dietary preferences
Fresh local ingredients, with groceries sourced daily from nearby markets
Guided by market availability, local produce and what guests wish to eat
Long shared meals around Bond’s sculptural wooden dining table
Breakfast, lunch, dinner and relaxed snacks throughout the day
Bond invites guests to decide how inward or expressive each day should feel. A Balinese priest can lead a private blessing within the estate, the team can share the ritual of making jamu, and sound journeys created by visiting artists bring music into particular spaces and moments. These are not activities placed around the house. They are different ways of connecting with Bali, with the people you travel beside and with your own rhythm.



Bond was never conceived through architecture alone. Kian Nock worked with Alexis Dornier to create the house’s intersecting framework, then layered it with furniture and art by local makers, sound journeys by visiting artists and a landscape shaped with the garden team. In Mas Village, craft is part of how the house feels and how guests move through it. Wood, steel and stone establish the structure, while music, scent, light and planting complete the experience. Together, they make Bond feel less like a finished object than a living artwork that continues to evolve.

Since he was fifteen, Kian Nock has followed the same passions: music, design and bringing people together. Moving to Bali did not change that path. In his words, only the playground changed. Bond became the physical expression of everything he had been building towards, a private place where architecture could support connection, creativity, celebration and moments of complete solitude. He continues to treat the house as a living artwork, allowing it to evolve alongside the landscape, the artists who stay and his own understanding of what a space can give people. His intention is simple: that guests leave feeling more inspired, grounded and connected than when they arrived.
Kian Nock has followed the same instincts since he was fifteen: music, design and bringing people together. Bali gave those interests a new landscape and, in Bond, a physical form. He worked with Alexis Dornier to create a house shaped around gathering, privacy and the freedom to move at one’s own rhythm, then continued developing it through gardens, sound, light, art and the people who stay there. Kian describes Bond as a living artwork rather than a finished project. It evolves as he does, becoming a place where guests can celebrate, create, retreat and leave feeling more connected than when they arrived.